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Support us in presenting the exhibition Michaelina Wautier in autumn 2025 with all the highlights!

Completely unknown in the last century, Michaelina Wautier is now one of the most important female artists of the 17th century. At a time when female painters were mainly concerned with still life or genre painting, Michaelina Wautier also presented herself confidently with sophisticated historical painting. For a long time, people did not want to believe that her impressive Bacchanal was the work of a woman.

Michaelina Wautier, Bacchanal, before 1659, canvas, 271.5 × 355.5 cm, Kunsthistorisches Museum Vienna, Picture Gallery, Inv. No. 3548

An exhibition that sets standards

In the exhibition in autumn 2025, Michaelina Wautier‘s extraordinary artistry and the artistic quality of her paintings will be experienced on a par with contemporaries such as Peter Paul Rubens or Anthonis van Dyck. Her great series on the five senses will be shown in Europe for the first time. The show offers a female perspective of the time on both traditional and innovative pictorial themes and the male body.

Thanks to Archduke Leopold Wilhelm‘s collecting activities, the Kunsthistorisches Museum Vienna has the world‘s most important collection of Wautier‘s paintings. The comparison of her works with those of her contemporaries makes the extraordinary quality of her work visible, so that today she can be rediscovered as an outstanding artist of her time.

Contribute to our mission to present the works of the forgotten master Michaelina Wautier in new splendor in autumn 2025!

In the major autumn exhibition in 2025, we would like to present a depiction of St Joachim by Michaelina Wautier that has never been shown to the public before. In the 18th century, it was still part of the imperial gallery in the Stallburg, where it hung as an oval above the door of the so-called ‘Black Cabinet‘. This work is currently in storage.

Michaelina Wautier, St Joachim, c. 1650, canvas, 74.8 × 72.8 cm, Kunsthistorisches Museum Vienna, Picture Gallery, inv. 1911

In the 1960s, the badly damaged painting was conserved and the image format was expanded to a rectangle. The canvas was covered with a new fabric. The painting now has disturbing putties. For the exhibition, we would like to examine this painting and improve the unsatisfactory aesthetic impression without completely obscuring the history of the painting. It also needs to be reframed. Additional X-ray examinations should provide information on whether the artist had actually originally intended the work to be an oval.

Gaspar de Crayer, Annunciation, 1620-30, canvas, 333 × 238 cm, Kunsthistorisches Museum Vienna, Picture Gallery, inv. 497

Gaspar de Crayer‘s Annunciation also needs urgent maintenance. Since this altarpiece was an important source of inspiration for Wautier‘s Annunciation and we would like to present both works to the public together, your financial support is urgently needed here too.

We count on your support!

With your contribution, you will be able to finance the image maintenance and scientific examination of these masterpieces and to present Wautier‘s paintings in new splendor in autumn 2025.

Your donation is worth it!

For your donation, in addition to an entry in the digital roll of honour, you will receive from ...

  • €150 an invitation to the donor reception with General Director  Jonathan Fine
  • €700 a guided tour of the restoration workshop
  • €1,500 in addition to everything mentioned above, an exclusive guided tour of the exhibition with the curator

Information

For more information, please contact
Hannah Mingers, BA, BSc.
T +43 1 525 24 – 4038
spenden@khm.at
www.khm.at/en/give-and-join/

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