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Infanta Margarita (1651–1673)

after April 1661 | Juan Bautista Martinez del Mazo

The portrait of the Spanish Infanta Margarita, daughter of King Philip IV and Mariana of Austria, in a silver, light-pink dress is the work of Velázquez’ son-in-law and studio assistant Mazo, who became court painter after the masters death in 1660. The brooch in the shape of the twin-headed eagle refers to the engagement of Margarita to Emperor Leopold I in 1663. A second version of the portrait is in the Museo del Prado, Madrid.

The portrait of the Spanish Infanta Margarita, daughter of King Philip IV and Mariana of Austria, in a silver, light-pink dress is the work of Velázquez’ son-in-law and studio assistant Mazo, who became court painter after the masters death in 1660. The brooch in the shape of the twin-headed eagle refers to the engagement of Margarita to Emperor Leopold I in 1663. A second version of the portrait is in the Museo del Prado, Madrid.

Artist:
Juan Bautista Martinez del Mazo (um 1612 Beteta/Cuenca ? - 1667 Madrid) DNB

Workshop:
Diego Rodríguez de Silva y Velázquez (1599 Sevilla - 1660 Madrid) DNB

Time:
after April 1661

Object Name
Painting

Culture
Spanish

Material/technology:
Canvas

Dimensions:
Overall: 120,7 cm × 94,4 cm × 2,5 cm
Framed: 151,5 cm × 124,5 cm × 7 cm

Copyright
Kunsthistorisches Museum, Gemäldegalerie

Invs.
Gemäldegalerie, 3531

Provenance
Imperial property